phantastus:

tomsawyee:

Into the Spider Verse is finally doing what mainstream CGI animation should have been doing for years: creating visuals only possible BECAUSE of the chosen medium.

CGI is a modern crutch. It’s cheaper than 2D by a landslide, and easier to churn out with the support of a studio.

But the actualization of a medium clicks when the medium is being used in ways that only it can. Focusing on rendering every hair, on recreating beautiful photo-realistic landscapes, that’s fine. It’s impressive. But the approach reaches a point where we’re left wondering:

“Why didn’t you just make a live action movie?”

Spider Verse brings the aesthetic, the aim, and the FUN of comics to the screen in a gorgeous way. I’m fucking thrilled that Miles is getting such a beautiful, unique, and frankly revolutionary introduction to the big screen.

can i get an AMEN up in here

buggyeyes:

lioness–hart:

lioness–hart:

Depression: No do thing. Tired.

Me: Okay well. Maybe if I go to sleep super duper early, I’ll get a decent amount of sleep.

Insomnia: You Fool. You absolute goddamn idiot

Insomnia: You Are Awake.

Me: Okay well. Maybe now I can get some stuff done.

Depression: You fool. You absolute goddamn idiot

im-fairly-whitty:

primrooks:

im-fairly-whitty:

primrooks:

a blonde guy with a magic hammer goes after his colleague, a big dude with giant fists and an anger management problem, teams up with a fierce female fighter with a tragic past, all while trying to navigate a strange, colorful world forever locked in a sensationalized competition and run by an old man with a flamboyant demeanor. along the way, he runs into a disgraced royal heir with a penchant for green and mischief

is the movie thor: ragnarok or wreck-it ralph

So this gave me chronic whiplash, enjoy.

WIT, BOTH THEIR CLIMAXES INVOLVE A MASS EXODUS ON A RAINBOW BRIDGE I’M JUST AS SHAKEN

STOP IT.